SRF
SRF camera raw imageUsed for keeping maximum tonal and color latitude for post-processing.
- Family
- Images
- MIME
- image/x-sony-srf
Convert SRF to PSD online and see exactly what camera-raw development and image encoding changes, what PSD still can't promise, and how to verify the result.
Demosaicing, white balance, tone, orientation, and color interpretation all run against the sensor-oriented SRF data before PSD encoding even starts. What comes out is a rendered photograph, never another untouched camera negative. Opening SRF follows an early Sony raw layout and model table; support for current ARW files does not by itself validate this older generation. PSD output aims to retain a Photoshop-style composite and editable layers, masks, channels, effects, text, and color data instead of only one flattened bitmap.
Canvas decoded from Sony raw sensor data used by early digital camera models before modern ARW adoption. Image written as a Photoshop document that can contain layers, masks, channels, type, and adjustment data.
Used for keeping maximum tonal and color latitude for post-processing.
Designed for pixel-based artwork, scans, and photographs.
PSD wins this route whenever its specific mix of compatibility, alpha, animation, and file size fits the destination better than SRF does.
Limited contemporary decoder and profile coverage can affect color, orientation, and usable image area.
Most non-PSD outputs flatten layers, while unsupported smart objects or effects may render differently.
a Photoshop document that can contain layers, masks, channels, type, and adjustment data is what gets written, labeled as image/vnd.adobe.photoshop. Whether that actually opens depends on the receiving application, not on the file extension.
Use a reference from the same camera and verify color balance, full dimensions, crop, exposure, and EXIF.
Open the result in the intended editor and inspect layer count, masks, typography, blend modes, and canvas size.